Setting Up Your 3dconnexion 3d Mouse For Fusion 360Track a static area of the shot using Translation, Scale and Rotation only. You donĪ²€™t want to track a moving object within the shot as this will throw off the stabilization. Like the Illumination modeling in the remove tool, this tries to calculate the correct lighting for a filled-in edge. The range of frames to look for possible fill frames. If you have sufficient usable background available, you can avoid reducing the quality or resolution of footage, which is a common problem in stabilization. The Standalone application is slightly more involved as you need to use an external application to make any changes to the rendered result. If you scrub the timeline you should now see the unwarp. As long as the final image matches the dimensions of the original source image, the frame should line up and be warped correctly. Paste the Mocha Pro Plug-In to the overlay image as a new layer above the source image. Create an overlay clip or image that you want to warp to the original shot. Directly applying warping to images or footage with the intention of compositing back over the top of the footage. By default, this is set to the frame the PowerMesh frame was generated on. When using Warp Mapping, the fixed frames list is limited to one frame. This option causes pixels from different frames to be blended into each other to avoid tearing artifacts inside the Remove area. Interpolated will model global and local changes and is often useful when a cleanplate is used. When you save your edits, it will automatically be updated in Mocha Pro to be used in the cleanplate list. Here we provide a breakdown of each remove tool parameter and how to use it effectively. In the example below, we have tracked and rotoscoped the sign and the door frame, which would otherwise obscure the ground plane. Make sure you have GPU processing turned on in the 'GPU' page of Preferences for optimal results. Ultimately once you have created a Mega Clean Plate, it can be used as a single clean plate for your scene.
Sometimes Mocha Pro can spend a lot of time removing a small part of the foreground image, and if your layers were chosen loosely, not all of the foreground needs to be removed. This may also cause artifacts when the removal is performed. Apply the CC Power Pin track data to the mega plate precomp layer, either by pasting from the clipboard or using "Apply Export" in the Mocha Pro Adobe plugin. To do this, make sure you are viewing a frame you have rendered and click on the Create button. This will create a clip containing the rendered frame you are viewing, and set the Cleanplates clip to the new clip. You can then touch up this Mega Clean Plate from your saved folder. Here you can import Mega Clean Plates to replace frames in your footage via the Remove module. This can be useful if you have to do multiple passes to get an effective plate. Now that you have rendered a final image, with or without removing the foreground objects from the plate, you can then turn it into a clean plate clip and save it to disk. This section controls a level of corner pin control on top of the adjusted track. This feature is particularly useful for curved surfaces. Check that there is enough overlapping frames in the layers if you have had to do more than one track along the timeline. If you start one track exactly where the last finished, the solver may not be able to accurately blend the resulting data. Once you have exported a camera from the static solve, select any layers that you used to track moving objects in the shot. If you have not tracked any moving objects you can do this now. Like with tracking, a stereo camera solve is designed to be as similar to the Mono process as possible. In After Effects, import the same footage and ensure that the frame rate and pixel aspect ratio are the same as those used when generating the shape. You can also import the rendered Mega Plate into a composit
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